Keiji Haino
Keiji Haino
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
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Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…
Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.