
B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
Nat Raha and Mijke van der Drift undertake two intensive writing residencies at Scottish Sculpture Workshop in Lumsden and Hospitalfield in Arbroath.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?