Killer of Sheep
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A welcoming intermission between events, open to the public.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
Take a break and/ or hang in an Open Meet Up in IRL and URL
Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?
Percussion used to explore the social construction of space
The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.