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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Ingar Zach & John Butcher playing drums and saxophone at INSTAL 04
17 October 2004
The Arches

John Butcher & Ingar Zach

Ingar Zach John Butcher

Originally billed as a duo of Ingar Zach and Derek Bailey, John Butcher stood in for Bailey at the last minute.

INSTAL 04
Vajra : Kan Mikami & Keiji Haino on stage at INSTAL 04
17 October 2004
The Arches

Vajra

Kan Mikami Keiji Haino Toshiaki Ishizuka

Vajra are a Japanese psychedelic rock supergroup, hewn from the collective consciousness of Fushitsusha’s Keiji Haino, folk radical Kan Mikami and percussionist Toshiaki Ishitsuka.

INSTAL 04
A large white circular form hovers in the mid distance at the end of a long room
11 October 2008
DCA

L’Anticoncept

Gil Wolman

60 minutes of hard ass minimal film, projected onto a weather balloon and accompanied by the inspired poetic rant of a visionary Frenchman.

Kill Your Timid Notion 08
Instal 10 poster with subtitle 'Braver New Musics'
12 – 14 November 2010
Tramway

INSTAL 10

The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.

The Bohman Brothers on stage at INSTAL 06 surrounded by objects and microphones
14 October 2006
The Arches

The Bohman Brothers

The Bohman Brothers

Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.

INSTAL 06
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
Hands Clasp in detail from Bread and Wine, a visual novel about Chip Delany
18 November 2017
Tramway

Being for Others

Samuel R. Delany

Chip’s written some of the greatest of all Sci-Fi and Fantasy—page turning character driven diamond-hard novels and short stories: each a lens that refracts our real-life struggles and desires.

Episode 9: Other Worlds Already Exist
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
an overflowing bowl of water in a sink displays beautiful interference waves
11 October 2008
DCA

Film Programme: Events

Benedict Drew Takehisa Kosugi Various Artists

Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.

Kill Your Timid Notion 08
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