Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
West Coast drone-age guitar grumbler/ consumer electronic reclaimer meets free-thinking clang/ chime/ drone bluesman of The East.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
An improvisation that may or may not involve (typical) improvisation.
A collaborative social justice project that uses art, activism and awareness to combat the systemic oppression facing young, trans, queer & gender nonconforming people of colour.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
In this session we’ll explore the use of herbs to support psycho-emotional health*, especially focusing on considering ‘nervines’; herbs that support rest, relaxation, that soothe, ground, vitalise and nourish. We’ll also be looking at personal constitutions and plant energetics. And we’ll briefly touch on the use of entheogens (psychoactive substances such as magic mushrooms) as medicine.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
