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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
A man in front of a multi layered projection, a sign saying 'the end'
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Andrew Lampert

Andrew Lampert

Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.

Kill Your Timid Notion on Tour
A gloomy pond with dark rushes reflect a grey light. A pink lens flare
24 November 2019
Tramway

aspects caught in the headspace we’re in

James Goodwin

Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.

Episode 10: A Means Without End
Topias Tiheäsalo fanning a guitar at MLFC 07
11 May 2007
The Sage Gateshead

Topias Tiheäsalo

Topias Tiheäsalo

A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.

Music Lover’s Field Companion 07
A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

Other Worlds Already Exist: text in pink on blue background
16 – 19 November 2017
Tramway Kinning Park Complex Many Studios

Episode 9: Other Worlds Already Exist

4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.

Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
15 April 2007
DCA

Ken Hollings Talk

Ken Hollings

A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s

Kill Your Timid Notion 07
27 March 2022
CCA Annex (Online)

Part Two | Parte II

Turmalina Chama Denise Ferreira da Silva Camilla Rocha Campos

A Breath to Follow | Um sopro a se seguir
Vanessa Place reading from white papers in a black room
12 November 2010
GFT

Notes on Conceptualism Lecture

Vanessa Place

Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.

INSTAL 10
A publication called Video Times and a tape sat next to each other on table
26 February 2010

Video Times

Kevin Atherton

Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.

Kill Your Timid Notion 10
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
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