Hermann Nitsch
Hermann Nitsch
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.
Light Music is a dizzying celebration of the pivotal nature of sound in film; a direct and powerful transcription of film as sound.
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?