Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.
Politicised fan-fiction chronicling working class gay urban space and fantasy.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
