
Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
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African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise