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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the words: Paragon Ensemble / David Fennessy
9 December 2001
The Arches

Paragon Ensemble / David Fennessy

Paragon Ensemble

The Scottish based Paragon Ensemble has commissioned David Fennessy to compose music for Instal, which will be performed during the evening.

INSTAL 01
The panel members at a rectangular table listen to a question
26 May 2013
Tramway

We have something to say about… Pt2

Emma Hedditch Frank Roberts Michael Roberson Pony Zion Robert Sember Terre Thaemlitz Vjuan Allure Vogue’ology

A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.

Episode 5: Hidden in Plain Sight
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
larika_ep6_img_5530_crop
27 September 2014
Tramway

Touching the Imperceptible

Arthur Jafa Kara Keeling

A performed filmic conversation on queer and black world making.

Episode 6: Make a Way Out of No Way
Fred Moten in a black and red shirt prepares for a discussion
21 April 2013
Tramway

Fred Moten – Chat

Fred Moten

In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.

Episode 4: Freedom is a Constant Struggle
Emma Hart lit from the glare of a projector as she adjusts a camera
17 February 2006
DCA

Emma Hart & Benedict Drew

Benedict Drew Emma Hart

An original and beautifully simple performed installation forging a direct link between sound and image.

Kill Your Timid Notion 06
arika_ep7_IMG_6434
16 April 2015
Tramway

Ode to 1 & more than 1

Constantina Zavitsanos Park McArthur

The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.

Episode 7: We Can’t Live Without Our Lives
B&W film still of a boy jumping from one roof to another, taken from below
26 September 2014
Tramway

Killer of Sheep

Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.

Episode 6: Make a Way Out of No Way
Ingar Zach & Rhodri Davies on stage at INSTAL 05
16 October 2005
The Arches

Ingar Zach & Rhodri Davies

Ingar Zach Rhodri Davies

Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.

INSTAL 05
Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

A group of people each holding a sheet of paper walk around each other
5 May 2012
Whitney Museum of American Art

In Passing

Brandon LaBelle

A silent performance of (musical) reverberation.

A survey is a process of listening
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
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