Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
A 101 panel on sex work in Scotland, hosted by National Ugly Mugs, Sex Workers Union, Scotland for Decrim (Decrim Now) host
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.