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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Shards of light on a black background from Sound Cuts projection
12 October 2008
DCA

Optical Sound Film Talk

Guy Sherwin

Guy Sherwin gives a kind of annotated, chat through his optical sound films

Kill Your Timid Notion 08
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
People huddled around a speaker on a street in Glasgow
9 May 2010
George Square

In The Shadow of Shadow – Walk

The Strickland Distribution Ultra-red

A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis

UNINSTAL
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
Instal 10 poster with subtitle 'Braver New Musics'
12 – 14 November 2010
Tramway

INSTAL 10

The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.

Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
Exias J playing guitars and double bass on stage at INSTAL 04
17 October 2004
The Arches

Exias-J

Exias-J

The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.

INSTAL 04
John is sitting on the stage, surrounded by people, all touching each other
14 April 2019
Performance Space New York

John Lee Clark

John Lee Clark

An invitation into languages field of touch; to speak in feeling together.

I wanna be with you everywhere
Michael Pisaro smiles into the camera against a light background
21 March 2009
The Arches

An Unrhymed Chord

Aileen Campbell Eva-Maria Houben Jean-Philippe Gross Jerome Noetinger Klaus Filip Michael Pisaro Neil Davidson Nikos Veliotis Radu Malfatti Seymour Wright Taku Unami Toshimaru Nakamura

From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.

INSTAL 09
A silhouette of Delany in front of screen where a room is lit with green light
16 November 2017
Tramway

The Motion of Light

Samuel R. Delany

Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.

Episode 9: Other Worlds Already Exist
a figure bathed in red writhes as they perform with a red light in their mouth
24 May 2013
Stereo

Hidden in Plain Sight: Club

boychild DJ Sprinkles Vjuan Allure Pony Zion

The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.

Episode 5: Hidden in Plain Sight
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
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