
See Noise Hear Light Friday
Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.
Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets
Looking at and listening to different ideas about sound and music, INSTAL 09’s collection of artists included Tetsuo Kogawa, vocalist Joan La Barbara, Phil Minton (and his Century FC feral choir), Austrian Actionist Hermann Nitsch, Steve McCaffery and many more.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.