 
As Jane Edwards and Geoffrey Rush
Aileen Campbell
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
 
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
 
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
 
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
 
Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.
 
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
 
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
 
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
 
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
 
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
 
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
 
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”