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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Tamio Shiraishi approaches an audience among grasses and concrete forms
12 July 2007
A concrete walkway ending in mid air

Shadowed Spaces Newcastle

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.

Shadowed Spaces
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
A view looking down a stone spiral staircase. A pair of trainers is on a step.
14 February 2008
Glasgow Uni Music Dept

Personal Space

Aileen Campbell Neil Davidson

Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.

INSTAL 08
A line of people in white masks hold a pink banner "Non a la Discrimination"
26 May 2019
Kinning Park Complex

How to Ally with Sex Workers on Decriminalisation of Sex Work

Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.

A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

John Blum & Jackson Krall performing on piano and drums at MLFC 07
12 May 2007
The Sage Gateshead

John Blum & Jackson Krall

Jackson Krall John Blum

Free jazz pianist John Blum with an everywhere-at-once presence in duo with Jackson Krall, incendiary free jazz drummer and sound sculptor

Music Lover’s Field Companion 07
16 November 2024
Tramway

The We of revolutionary love

Houria Bouteldja

The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.

Episode 11: To End the World As We Know It
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Graphic of a white bird on a black background
1 December 2002
The Arches

INSTAL 02

The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.

Image with the word: Defaalt
9 December 2001
The Arches

Defaalt

Defaalt

Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.

INSTAL 01
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