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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (712)

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12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Image says:Don't ask to fight their wars, don't tell them that's what we're for.
23 October 2016
Tramway

Against Inclusion

Dean Spade Eric A Stanley Mujeres Creando

What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?

Episode 8: Refuse Powers’ Grasp
Kazuo Imai playing an acoustic guitar on stage at MLFC 05
21 May 2005
The Sage Gateshead

Kazuo Imai

Kazuo Imai

One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.

Music Lover’s Field Companion 05
Eric La Casa walking with a microphone on a boom stand
13 May 2010
Tramway

House

Eric La Casa Jean-Luc Guionnet

One-shot sonic portraits of 4 houses, their inhabitants and their relationship to sound, from 2 of the most deep-thinking field-recording artists around.

UNINSTAL
Metzger and students seated at table
17 February 2008
The Arches

Self Cancellation – A project for voices

Gustav Metzger Kenneth Goldsmith Simon Morris

A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.

INSTAL 08
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
Kanta Horio operating an electro-magnet in front of a projection
14 April 2007
DCA

EM No.3 and Round Trip

Kanta Horio

Kanta is a young Japanese artist with a home-made, short circuited take on electronics and physical phenomena which he uses in performance to produce close circuit systems of audio / video feedback.

Kill Your Timid Notion 07
at the end of a dark gallery a screen throbs with layers rectangles of red
12 October 2008
DCA

Declarative Mode (1976 – 1977)

Paul Sharits

Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.

Kill Your Timid Notion 08
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Image with the words: Icebreaker International
9 December 2001
The Arches

Icebreaker International

Icebreaker International

An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.

INSTAL 01
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