Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A double bill of A (imageless) film of nothing but a sound recording and its transcription and a found film of news interviews about Malcolm X’s assasination, where the filmmaker decided to add nothing to it, except our attention.
A space to reflect on our own experiences with the police and explore more community and care-based ways of dealing with violence and difficulties in our lives.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Writing that shows us that, even in struggle, there is light to be let in.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
