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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Northern Sinfonia performing Radu Malfatti at MLFC 07
12 May 2007
The Sage Gateshead

Gateshead 21

Northern Sinfonia Radu Malfatti

We commissioned Radu Malfatti to write a new piece for the 21-piece string section of the Northern Sinfonia: Music striving to discover the exact point at which sound resonates the clearest amidst long drawn out silences.

Music Lover’s Field Companion 07
10 March 2025

Week One: Welcome Session

Lisa Fannen Sapna Agarwal

In this welcoming first session we will look at the basics of using plant medicine – things you might have in your kitchen or easily to hand. We will introduce preparation methods, contraindications, dosages & remedies for common ailments.

In Our Hands 2025
A shadow crouches on the floor amongst mic stands and boxes, one light source
28 February 2010
DCA

Taku Unami

Taku Unami

Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?

Kill Your Timid Notion 10
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
The porcelain head of a doll stands out from a black background.
30 September 2020

Not Going Back to Normal

Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.

arika_ep7_IMG_6434
16 April 2015
Tramway

Ode to 1 & more than 1

Constantina Zavitsanos Park McArthur

The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.

Episode 7: We Can’t Live Without Our Lives
10 October 2008
DCA

Micro Notions

Judith Goddard Mike Leggett Mineo Aayamaguchi Peter Donebauer Tony Sinden

Screening of films by Duvet Brothers, David Critchley, David Hall, John Latham, Judith Goddard, Mike Leggett, Tony Sinden

Kill Your Timid Notion 08
Computer screen revealing some data and a green shape
17 October 2003
DCA

Cyclo

Carsten Nicolai Ryoji Ikeda

Two figureheads of the minimalist electronica pulse, Ikeda and Nicolai have been responsible for some of the most innovative and ground-breaking music of the last decade, redefining experimental electronica.

Kill Your Timid Notion 03
Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
A large white circular form hovers in the mid distance at the end of a long room
11 October 2008
DCA

L’Anticoncept

Gil Wolman

60 minutes of hard ass minimal film, projected onto a weather balloon and accompanied by the inspired poetic rant of a visionary Frenchman.

Kill Your Timid Notion 08
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Music Lover's Field Companion 05 publicity flyer
20 – 22 May 2005
The Sage Gateshead

Music Lover’s Field Companion 05

Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.

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