
Morgan Fisher – Screening and Chat
Morgan Fisher
Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
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Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
Writing that shows us that, even in struggle, there is light to be let in.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
A series of reality dramas happening over the course of the weekend.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.