The View From Nowhere Part 2
Alexi Kukuljevic Mark Fisher Ray Brassier
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
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Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.
An invitation into languages field of touch; to speak in feeling together.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
An improvisation that may or may not involve (typical) improvisation.
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.