Episode 3: Copying without Copying
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
A Festival supporting the struggle for Sex Workers’ Rights: share knowledge, discuss, dance and strategise!
“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild
Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.