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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (720)

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Lee Patterson sitting next to a projection of himself, pensive
10 October 2008
DCA

North West from Chester Hill, Composition – 10 (1960)

Lee Patterson Luke Fowler

A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).

Kill Your Timid Notion 08
A dark room and Tone is performing at a laptop.
4 May 2012
Whitney Museum of American Art

Paramedia

Yasunao Tone

A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.

A survey is a process of listening
Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
Steve Roden seated on stage at DCA Dundee
17 October 2003
DCA

Steve Roden

Steve Roden

By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.

Kill Your Timid Notion 03
A shadow crouches on the floor amongst mic stands and boxes, one light source
28 February 2010
DCA

Taku Unami

Taku Unami

Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?

Kill Your Timid Notion 10
Pieces of coal on a sheet of white paper
10 October 2008
DCA

Benedict Drew & Sachiko M

Benedict Drew Sachiko M

Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.

Kill Your Timid Notion 08
14 October 2006
The Arches

Infest – Opaque

Opaque

Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.

INSTAL 06
Current 93 on stage at INSTAL 04
16 October 2004
The Arches

Current 93

Current 93

One of the most revered and legendary underground acts of the past 20+ years, Current 93 is the constantly evolving creation of David Tibet.

INSTAL 04
Robin Hayward and Radu Malfatti play brass instruments at the far end of a room
16 February 2008
The Arches

Wandelweiser

Antoine Beuger Manfred Werder Radu Malfatti

Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.

INSTAL 08
A section of exposed 16mm film stock covered in small abrasions
14 April 2007
DCA

Film Programme 3: Earth

Various Artists Ian Helliwell

Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.

Kill Your Timid Notion 07
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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