John Tilbury
John Tilbury
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
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What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
Inspired by Delany’s Aye, and Gomorra. A spookily filmic world where asexual bodies live in the contradiction of their unarousable loneliness and desire for intimacy and contact.
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.