 
Christmas Tree Stand
Bruce McClure
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
 
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
 
Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.
 
John Mullarkey sets in a wider context our understanding of Alain Badiou and Francois Laruelle, two of the most radical philosophers in Europe today.
 
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
 
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
 
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
 
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
 
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
 
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
 
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.