Gesturing to What is Possible: Drugs Users Supporting Each Other
Peter Krykant Aura Roig Juan Fernández Ochoa
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
A performed film lecture exploring how the ‘Rumberas’ of Caribbean cinema of the 40’s and 50’s subverted demeaning images of themselves through dance, sound and a sociality that insisted on blackness as being a cultural performance, not simply due to skin colour.
Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.
Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?