Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (721)

Order by
An audience seated and wearing eye masks
12 October 2008
DCA

Live Immersive Performance

A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.

Kill Your Timid Notion 08
Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
Brian Dillon portrait against a brick wall
14 April 2007
DCA

Brian Dillon Talk

Brian Dillon

Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.

Kill Your Timid Notion 07
The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

Lee Patterson sitting next to a projection of himself, pensive
10 October 2008
DCA

North West from Chester Hill, Composition – 10 (1960)

Lee Patterson Luke Fowler

A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).

Kill Your Timid Notion 08
Jerome Noetinger's hand twiddling a knob on a mixing desk is in the foreground
22 March 2009
The Arches

Jean-Philippe Gross & Jerome Noetinger

Jean-Philippe Gross Jerome Noetinger

Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…

INSTAL 09
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It