Sachiko M & Anthony McCall
Anthony McCall Sachiko M
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
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Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.
Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.
Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee
N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Profound mathematical ideas for romantics, to help us linger in the difference we share.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?