Festival Launch
Christof Migone Jarrod Fowler
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
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Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
Glasgow. Low-end drone guitarage army in praise of the open chord.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
A series of reality dramas happening over the course of the weekend.
A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.