Mutual Instruments
Fred Moten Miss Prissy
Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
This theme collates work/concepts that have been explored at a number of recent events. Some intial suggestions of where to start could be with one of boychild’s arresting lipsync performances, the live performative outcome of the No Total project or Park McArthur and Constantina Zavitzanos’s contribution to Episode 7: We Can’t Live Without Our Lives that included song, film, poetry and audience participation. The idea behind this proposed theme is to offer a way to explore and navigate the archive. The paired ‘terms’ the theme is composed of are not synonyms nor are they binary oppositions but words that combine to (hopefully) produce un-rational anti-categories. The aim is to allow (encourage) the archive to be read in ways counter to normative or reductive categories. To allow things in the archive to appear in sometimes unlikely groupings and to resist essentialism.
Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
A freestyle performed conversation for bodies and voices – with the Queen of Krump, the master of Vogue Femme Dramatics and the rising star of Vogue Women’s Performance.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?