
JOJO Hiroshige
JO JO Hiroshige
A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.