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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
14 October 2006
The Arches

Infest – Ben Reynolds

Ben Reynolds

An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.

INSTAL 06
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Robin Hayward and Radu Malfatti play brass instruments at the far end of a room
16 February 2008
The Arches

Wandelweiser

Antoine Beuger Manfred Werder Radu Malfatti

Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.

INSTAL 08
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
Three performers on stage, two on electronics and one sings
15 February 2008
Stereo

Blood Stereo

Blood Stereo Heather Leigh Murray

Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.

INSTAL 08
Rolf Julius leans forward over a large white box and mixer and performs
22 March 2009
The Arches

Music for a Long Time

Rolf Julius

Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.

INSTAL 09
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
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