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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
Film still from Oriana. The camera points from above onto the face a person with dark long hair. They look towards the sunlight with their eyes close; a green leaf covers the left side of their face. In the background is water and gravel and stone covered river bed with green foliage.
14 November 2024
Tramway

Oriana

Beatriz Santiago Muñoz

A film as a translation of Monique Wittig’s landmark feminist novel Les Guérillères, in which a plural protagonist of militant feminists inhabit a fantastical, enigmatic and hallucinatory miasmatic space-time of post Hurricane Maria Puerto Rico.

Episode 11: To End the World As We Know It
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

An actor playing a reporter at a trial sits in front of a drawered wall
23 March 2012
Tramway

Criminal Case 40/61: Reverb

Andrea Geyer

A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt

Episode 3: Copying without Copying
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
21 March 2009
CCA

Encuentro Glasgow

Ultra-red

A public gathering that brings together local artists, musicians, activists, and community organisers.

INSTAL 09
arika_ep7_IMG_6094
19 April 2015
Tramway

No Ready Made Men – Performance

Ueinzz

A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.

Episode 7: We Can’t Live Without Our Lives
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
In Our Hands: radical approaches to health and collective care
Mondays, 10 March to 5 May, 6-9pm

In Our Hands 2025

In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.

A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

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