Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Politicised fan-fiction chronicling working class gay urban space and fantasy.
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.