Where Good Souls Fear
Alice Sheppard
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.
Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?