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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Shards of light on a black background from Sound Cuts projection
12 October 2008
DCA

Optical Sound Film Talk

Guy Sherwin

Guy Sherwin gives a kind of annotated, chat through his optical sound films

Kill Your Timid Notion 08
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Episode_9_Eduardo_Restrepo_Still
16 November 2017
Tramway

Films Installed in the Foyer

Eduardo Restrepo Castaño SWARM

In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.

Episode 9: Other Worlds Already Exist
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
Jandek on stage wearing a hat & playing an electric guitar
17 October 2004
The Arches

Jandek

Alex Neilson Jandek Richard Youngs

Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.

INSTAL 04
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

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