Michiyo Yagi
Michiyo Yagi
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
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Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
An excavation of the 1805 Lock Hospital in Glasgow. Its official function was to support ‘unfortunate females with venereal disease’, but really what happened was that women and girls were marched in, experimented on, and often never released.