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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (719)

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Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

9 – 13 March 2022
Online

Mutual Aid

4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.

2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Richard Youngs standing with a microphone at INSTAL 04
16 October 2004
The Arches

Richard Youngs

Richard Youngs

One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest

INSTAL 04
Man in Black clothes standing next to two microphones, staring out
12 November 2010
Tramway

Object of Thought

Mattin

A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.

INSTAL 10
Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
KUCHENGA, Jackie Wang, and Nat Raha seated in discussion on red cushions
18 November 2017
Tramway

Future Justice in the Present

Jackie Wang KUCHENGA Nat Raha

Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?

Episode 9: Other Worlds Already Exist
Daniel Carter, Andrew Barker & Sabir Mateen performing at MLFC 07
13 May 2007
The Sage Gateshead

Daniel Carter, Andrew Barker & Sabir Mateen

Daniel Carter Sabir Mateen

Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.

Music Lover’s Field Companion 07
iwbwye_cyree_mengwencao-011
14 April 2019
Performance Space New York

Cyrée Jarelle Johnson

Cyrée Jarelle Johnson

Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.

I wanna be with you everywhere
Steve Roden seated on stage at DCA Dundee
17 October 2003
DCA

Steve Roden

Steve Roden

By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.

Kill Your Timid Notion 03
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
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