Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.
Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.
Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
A series of reality dramas happening over the course of the weekend.
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
