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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (712)

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A black screen with the word, "words" written in large letters
23 February 2010
DCA

So Is This

Michael Snow

Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.

Kill Your Timid Notion 10
Computer screen revealing some data and a green shape
17 October 2003
DCA

Cyclo

Carsten Nicolai Ryoji Ikeda

Two figureheads of the minimalist electronica pulse, Ikeda and Nicolai have been responsible for some of the most innovative and ground-breaking music of the last decade, redefining experimental electronica.

Kill Your Timid Notion 03
Amplifiers outside with mics on the floor coming from them
27 February 2010
DCA

Hit Parade

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
arika_ep7_IMG_4786
17 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
14 May 2010
Tramway

Used Sound

Jean-Luc Guionnet Ray Brassier Seijiro Murayama

A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.

UNINSTAL
A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
Peach and pink gradient with black text: Revolution is not a one-time event
3 – 24 August 2020
Online

Revolution is not a one-time event

Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.

Jerome Noetinger's hand twiddling a knob on a mixing desk is in the foreground
22 March 2009
The Arches

Jean-Philippe Gross & Jerome Noetinger

Jean-Philippe Gross Jerome Noetinger

Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…

INSTAL 09
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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