Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.
For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.
A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
A public gathering that brings together local artists, musicians, activists, and community organisers.
Captures the creak and rustle of the forest, with an exhilarating tension let loose in unconfined maniacal and bare-knuckle group thinking.
Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
