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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Nikos Veliotis in safety goggles chips wood, cello and a projection in the back
21 March 2009
The Arches

Cello Powder

Nikos Veliotis

Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.

INSTAL 09
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
John is sitting on the stage, surrounded by people, all touching each other
14 April 2019
Performance Space New York

John Lee Clark

John Lee Clark

An invitation into languages field of touch; to speak in feeling together.

I wanna be with you everywhere
Turquoise and Brown text reads Kill Your Timid Notion
17 – 19 October 2003
DCA

Kill Your Timid Notion 03

Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.

Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
A large industrial fan is backlit
21 April 2013
Tramway

Unfree Improvisation / Compulsive Freedom

Mattin Ray Brassier

How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?

Episode 4: Freedom is a Constant Struggle
Beams of light fanning out from the right in bands of green and white
15 April 2007
DCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Kill Your Timid Notion 07
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Hands holding a deck of cards.
15 November 2024
Tramway Live Stream

More Than Perfect

Denise Ferreira da Silva Arissana Pataxó Leanne Betasamosake Simpson Geni Núñez Ailton Krenak (by video)

A conversation between influential figures thinking through Blackness and Indigeneity, asking: what if we took seriously the possibility that this world, as we know it, may be coming to an end? We dread the loss of this world, but have we begun to imagine the one to come?

Episode 11: To End the World As We Know It
8 – 9 November 2025

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

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