
Jandek
Alex Neilson Jandek Richard Youngs
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?