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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Portrait of Chuquimamani-Condori, they are wearing an off-white cowboy style hat and white casual top.

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (712)

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Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

Jimmy Robert sits at the edge of a lit square on the floor, one leg bent up
26 May 2013
Tramway

Suspended closure, suspended

Jimmy Robert

When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?

Episode 5: Hidden in Plain Sight
Jo Jo plays a guitar with equipment visible & knees bent
14 October 2005
The Arches

JOJO Hiroshige

JO JO Hiroshige

A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.

INSTAL 05
a man in green clothes is wrapped to a drum kit by red tape
18 October 2003
DCA

Sunburned Hand of the Man

Sunburned Hand of the Man

First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.

Kill Your Timid Notion 03
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
arika_ep7_IMG_6136
17 April 2015
Tramway

Ueinzz Context

Ueinzz

An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.

Episode 7: We Can’t Live Without Our Lives
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
A view looking down a stone spiral staircase. A pair of trainers is on a step.
14 February 2008
Glasgow Uni Music Dept

Personal Space

Aileen Campbell Neil Davidson

Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.

INSTAL 08
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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