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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
Ann Cvetkovich sitting at a table speaking into a microphone
26 May 2013
Tramway

Public Feelings

Ann Cvetkovich

The role of feelings in public life, (political) depression and creative survival.

Episode 5: Hidden in Plain Sight
Carsten Nicolai operating some equipment near a projection
17 October 2003
DCA

Alva.Noto

Carsten Nicolai alva.noto

60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves

Kill Your Timid Notion 03
Whitehouse shirtless on stage in the arches waving their arms
23 November 2003
The Arches

Whitehouse

Whitehouse

Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”

INSTAL 03
Arika_Episode6_BMcIntyre_-11
18 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

Arika_Instal05_Bruno BW 3
16 October 2005
The Arches

Tom Bruno

Tom Bruno

Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.

INSTAL 05
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
Masayoshi Urabe portrait in black and white
17 October 2004
The Arches

Masayoshi Urabe

Masayoshi Urabe

Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.

INSTAL 04
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
A publication called Video Times and a tape sat next to each other on table
26 February 2010

Video Times

Kevin Atherton

Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.

Kill Your Timid Notion 10
Three women pose in front of a home made banner "Get the Body of a God"
28 September 2014
Tramway

Dance Workshop

Glasgow Open Dance School Miss Prissy

A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!

Episode 6: Make a Way Out of No Way
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
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