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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
Two performers silhouetted against a projection of blue light
18 October 2003
DCA

Silophone

[the user]

Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.

Kill Your Timid Notion 03
yellow pink and white circular form on right of image against black background
29 November – 7 December 2008
BFI IMAX BFI Southbank ICA Spike Island Arnolfini CCA

Kill Your Timid Notion on Tour

In 2008 we toured our Kill Your Timid Notion festival of experimental sound and image to London, Bristol and Glasgow, bringing audiences a taste of the previous 5 festival editions.

Eye Contact group on stage in pink light at INSTAL 06
15 October 2006
The Arches

Eye Contact

Eye Contact

Free Jazz group comprising Matt Lavelle, Matt Heyner (TEST, No-Neck Blues Band) and Ryan Sawyer (Tall Firs).

INSTAL 06
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Keiji Haino talking to Alan Cummings
21 May 2005
The Sage Gateshead

The Secret of Music – discussion

Alan Cummings Keiji Haino

Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.

Music Lover’s Field Companion 05
Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
20 – 24 November 2019
Tramway Online

Episode 10: A Means Without End

Complex ways of understanding our complex times. Maths & Poetics. Gesture & Physics. Collectivist Struggle & Desire. 5 days of performances, discussions, screenings and study sessions.

Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

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