
Standing in the Flesh
Hortense J. Spillers
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Kylie Minoise Vs Nackt Insecten feedback/ vocal physical threat ‘vs’ ecstatic electronic cloudbursts
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.