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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A store front after Hurrican Katrina, chairs are scattered about in the street
23 March 2012
Tramway

Notes on the Emptying of a City

Ashley Hunt

A dismantled, performed film, where a narrator pieces together the sounds, images and storytelling of a documentary about Hurricane Katrina before a live audience.

Episode 3: Copying without Copying
Arika_Episode2_RayBrassier_AlexiKukuljevich_TheViewFromNowherePart2_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 2

Alexi Kukuljevic Mark Fisher Ray Brassier

Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?

Episode 2: A Special Form of Darkness
Gary Smith playing a guitar at MLFC 07
11 May 2007
The Sage Gateshead

Gary Smith

Gary Smith

Guitar solo where inscrutable, minute electric sounds are excavated by palms that smother and strangle, that wring sound from the fretboard, from behind the bridge.

Music Lover’s Field Companion 07
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
A circle of light from a projector circles audience members
12 December 2004
DCA

Sachiko M & Anthony McCall

Anthony McCall Sachiko M

Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery

Kill Your Timid Notion 04
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
Whitehouse shirtless on stage in the arches waving their arms
23 November 2003
The Arches

Whitehouse

Whitehouse

Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”

INSTAL 03
A whirl of blurred coloured lights make an abstract pattern
12 December 2004
DCA

Film Programme 4: Pop

Various Artists

A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.

Kill Your Timid Notion 04
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
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