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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A 40ish mixed race Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair, lying on a couch looking at the viewer horizontally. They have rose gold aviator frames, thick eyebrows, red lipstick and sand colored skin, and are looking at the viewer with a kind of tired but hopefully crip wonder. They wear a blue denim vest with a pin that says Neurodivergent Universe above a pink and blue image of a ringed planet, and a black tank top with yellow lettering that read Talk To Plants, Not Cops is barely visible. They have a tattoo of the words "We begin by listening" in magenta cursive script on their left arm.
21 June 2023

Altar: Odes to the Lost/ never lost with ASL Centered Hang

Leah Lakshmi Piepzna-Samarasinha

Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.

 

I wanna be with you everywhere 2023
A black and while still of a photograph of a man melting on a stove
29 November 2008
BFI Southbank CCA Arnolfini

Out of Sight Out of Synch

Various Artists Hollis Frampton John Smith

Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.

Kill Your Timid Notion on Tour
Graphic of a white bird on a black background
1 December 2002
The Arches

INSTAL 02

The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.

A black screen with the word, "words" written in large letters
23 February 2010
DCA

So Is This

Michael Snow

Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.

Kill Your Timid Notion 10
Three folks sit around a table looking at Sonia Sanchez as she gesticulates
20 April 2013
Tramway

The Experiment: Pt. 1

Amiri Baraka Fred Moten Wadada Leo Smith Sonia Sanchez

What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?

Episode 4: Freedom is a Constant Struggle
A film still image is distorted, turning the image of a couple into liquid
11 December 2004
DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04
A B&W shot of M Lamar prostrate and seemingly screaming
27 September 2014
Tramway

Speculum Orum

M Lamar

A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.

Episode 6: Make a Way Out of No Way
15 November 2024
Glasgow School of Art

Glasgow School of Art Friday Event

Beatriz Santiago Muñoz

Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.

Episode 11: To End the World As We Know It
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
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