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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Jean-Luc and Toshi sitting near an organ
20 March 2009
Glasgow University Chapel

Jean-Luc Guionnet & Toshimaru Nakamura

Jean-Luc Guionnet Toshimaru Nakamura

Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.

INSTAL 09
Pauline Oliveros holding an accordion while reading information from a laptop
16 October 2005
The Arches

Pauline Oliveros & David Dove

David Dove Pauline Oliveros

Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.

INSTAL 05
Metzger and students seated at table
17 February 2008
The Arches

Self Cancellation – A project for voices

Gustav Metzger Kenneth Goldsmith Simon Morris

A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.

INSTAL 08
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Two frames from a 16mm film with blocks of red, green, pink and yellow
29 November 2008
BFI Southbank CCA

About Face

Various Artists Paul Sharits

This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.

Carston Nicolai standing over a mixing desk
1 December 2002
The Arches

alva.noto

alva.noto

Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video

INSTAL 02
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
Ben Chasney standing against a wall in a t shirt
16 October 2004
The Arches

Six Organs of Admittance

Six Organs of Admittance

Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.

INSTAL 04
Arika_Instal08_BryonyMcIntyre_IMG_390076
16 February 2008
The Arches

Translation

Jarrod Fowler

Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.

INSTAL 08
The sun low in the sky above Easterhouse, an audience at a performance
10 July 2007
The old public library in Easterhouse

Shadowed Spaces Easterhouse

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.

Shadowed Spaces
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