After…After…(Access)
Jordan Lord
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
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A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Profound mathematical ideas for romantics, to help us linger in the difference we share.
A preposterously heavy, eye of the storm musical tug of war, in which two drummers, electronics and electric guitar fall over each other in a droning crush.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.